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Issues : Corrections of AI
b. 1-5
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composition: Op. 2, Variation IV, primitive version
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In AsI the 4th hemidemisemiquaver figure in bars 1 and 5 is the same as the third one, although the semiquaver ending the passage is different – D instead of B category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Accompaniment changes , Corrections of AI |
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b. 7
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composition: Op. 2, Variation IV, primitive version
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In the 1st half of the bar, the L.H. part bears traces of corrections in AsI. While working on this manuscript, the initial version: category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Accompaniment changes , Corrections of AI |
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b. 8
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composition: Op. 2, Variation IV, primitive version
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In AsI one can see that the bass note on the 4th quaver in the bar was remade, that is B category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections of AI |
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b. 11
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composition: Op. 2, Variation IV, primitive version
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In AsI the 3rd hemidemisemiquaver in each group is b category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Chopin's hesitations , Accompaniment changes , Corrections of AI |
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b. 16
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composition: Op. 2, Variation IV, primitive version
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In AsI one can see that initially the first 2 notes of the L.H. passage on the 2nd quaver were G category imprint: Corrections & alterations; Source & stylistic information issues: Corrections of AI |