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p. 25, b. 327-336
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b. 328
As was the case with the 5th triplet in bar 325, here the 3rd triplet is presented in AsI in its initial form. In both places Chopin eventually opted for a more regular form of the figuration.
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category imprint: Differences between sources; Corrections & alterations
issues: Main-line changes
notation: Pitch
Missing markers on sources:
AsI, A, GE1, GE2, GE3, FESB, FE2, EE1, EE2, EE3, FE1