Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Compositions
0
Op. 2, Variations, complete
Page:
Source:
p. 13, b. 156-163
p. 1, b. 1-17
p. 2, b. 18-29
p. 3, b. 30-44
p. 4, b. 45-54
p. 5, b. 55-61
p. 6, b. 62-63
p. 7, b. 64-87
p. 8, b. 88-109
p. 9, b. 110-122
p. 10, b. 123-139
p. 11, b. 140-147
p. 12, b. 148-155
p. 13, b. 156-163
p. 14, b. 164-180
p. 15, b. 181-191
p. 16, b. 192-207
p. 17, b. 208-227
p. 18, b. 228-254
p. 19, b. 255-265
p. 20, b. 266-274
p. 21, b. 275-293
p. 22, b. 294-304
p. 23, b. 305-316
p. 24, b. 317-326
p. 25, b. 327-336
p. 26, b. 337-348
p. 27, b. 349-360
p. 28, b. 361-370
p. 29, b. 371-382
Main text
Main text
AsI
- Working autograph of score
A
- Autograph fair copy
GE
- German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE3 - Second German edition
FE
- French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FESB
- Later French edition
EE
- English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
Select notes:
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AsI
- Working autograph of score
A
- Autograph fair copy
GE
- German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE3 - Second German edition
FE
- French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FESB
- Later French edition
EE
- English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
In the main text we add a cautionary 
to e
in the chord in the alternative L.H. part. Chopin used it in this context in AsI, in the initial version of this place yet based on the same chord.
Compare the passage in the sources»
category imprint: Editorial revisions; Source & stylistic information
issues: Cautionary accidentals
notation: Pitch
Missing markers on sources:
AsI, A, GE1, GE2, GE3, FESB, FE2, EE1, EE2, EE3, FE1