mUltimate Chopin

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Source:

p. 18, b. 228-254

p. 1, b. 1-17

p. 2, b. 18-29

p. 3, b. 30-44

p. 4, b. 45-54

p. 5, b. 55-61

p. 6, b. 62-63

p. 7, b. 64-87

p. 8, b. 88-109

p. 9, b. 110-122

p. 10, b. 123-139

p. 11, b. 140-147

p. 12, b. 148-155

p. 13, b. 156-163

p. 14, b. 164-180

p. 15, b. 181-191

p. 16, b. 192-207

p. 17, b. 208-227

p. 18, b. 228-254

p. 19, b. 255-265

p. 20, b. 266-274

p. 21, b. 275-293

p. 22, b. 294-304

p. 23, b. 305-316

p. 24, b. 317-326

p. 25, b. 327-336

p. 26, b. 337-348

p. 27, b. 349-360

p. 28, b. 361-370

p. 29, b. 371-382

Main text

AsI - Working autograph of score

A - Autograph fair copy

GE - German edition

GE1 - First German edition

GE2 - Corrected impression of GE1

GE3 - Second German edition

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FESB - Later French edition

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE1

EE3 - Revised impression of EE2

Select notes:

mark annotations

Category

Notation

Differences

No differences

AsI - Working autograph of score

A - Autograph fair copy

GE - German edition

GE1 - First German edition

GE2 - Corrected impression of GE1

GE3 - Second German edition

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FESB - Later French edition

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE1

EE3 - Revised impression of EE2

Importance

Undo Clear

transcript

Prezentacja

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b. 228-239

2-semiquaver beams in A

4-semiquaver beams in GE (→FE,EE,FESB)

The semiquavers being grouped differently in the editions resulted from an arbitrary decision of the engraver of GE1 – see bars 208-227.

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Rhythm

Missing markers on sources: AsI, A, GE1, GE2, GE3, FESB, FE2, EE1, EE2, EE3, FE1

Complete ➔

Op. 2, Variations, complete