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Source:
p. 24, b. 317-326
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b. 319
The pitch of the middle note in the penultimate triplet (in both bars) raised doubts of many later editors of Chopin's works. In fact, there are many arguments that make one consider an oversight of the restoring d2(1) to be likely. However, as the literal interpretation of the text results in a version that perfectly fits into the Chopinesque style, in the main text we leave the source version.
category imprint: Editorial revisions; Source & stylistic information
issues: Omissions to cancel alteration, Errors of A
notation: Pitch
Missing markers on sources:
AsI, A, GE1, GE2, GE3, FESB, FE2, EE1, EE2, EE3, FE1