Page: 
Source: 
p. 23, b. 305-316
p. 1, b. 1-17
p. 2, b. 18-29
p. 3, b. 30-44
p. 4, b. 45-54
p. 5, b. 55-61
p. 6, b. 62-63
p. 7, b. 64-87
p. 8, b. 88-109
p. 9, b. 110-122
p. 10, b. 123-139
p. 11, b. 140-147
p. 12, b. 148-155
p. 13, b. 156-163
p. 14, b. 164-180
p. 15, b. 181-191
p. 16, b. 192-207
p. 17, b. 208-227
p. 18, b. 228-254
p. 19, b. 255-265
p. 20, b. 266-274
p. 21, b. 275-293
p. 22, b. 294-304
p. 23, b. 305-316
p. 24, b. 317-326
p. 25, b. 327-336
p. 26, b. 337-348
p. 27, b. 349-360
p. 28, b. 361-370
p. 29, b. 371-382
Main text
Main text
AsI - Working autograph of score
A - Autograph fair copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE3 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FESB - Later French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
Select notes: 
Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AsI - Working autograph of score
A - Autograph fair copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE3 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FESB - Later French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
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  b. 314

No fingering in AsI & FESB

5 w A (literal reading→GE1GE2,FE,EE)

3 in A (possible interpretation) & GE3

The fingering digit written in A could be interpreted twofold: as a '5', which is more graphically likely, or as a '3', which seems more natural, pianistically speaking. The source of the problem was the will to fit in the digit (apparently added later) under the word loco, ending the octave sign, which forced Chopin to write this digit almost horizontally; consequently, the resulting unnatural shape hampers the identification. The majority of the sources include a '5', whereas in the main text, we suggest a '3', due to practical reasons; it was also GE3 that considered this digit to be right. Such a solution is also supported by AsI, in which one can see deleted digits over the first two notes in the bar, most probably 5-4. In FESB both this digit and the adjacent ones were most probably overlooked (see the previous note).

The digit '3' added in pencil in our copy of GE2 is of no source value.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Errors in FE, GE revisions, Inaccuracies in A

notation: Fingering

Missing markers on sources: AsI, A, GE1, GE2, GE3, FESB, FE2, EE1, EE2, EE3, FE1