mUltimate Chopin

Op. 2, Variations, complete

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Source: 
p. 20, b. 266-274
p. 1, b. 1-17
p. 2, b. 18-29
p. 3, b. 30-44
p. 4, b. 45-54
p. 5, b. 55-61
p. 6, b. 62-63
p. 7, b. 64-87
p. 8, b. 88-109
p. 9, b. 110-122
p. 10, b. 123-139
p. 11, b. 140-147
p. 12, b. 148-155
p. 13, b. 156-163
p. 14, b. 164-180
p. 15, b. 181-191
p. 16, b. 192-207
p. 17, b. 208-227
p. 18, b. 228-254
p. 19, b. 255-265
p. 20, b. 266-274
p. 21, b. 275-293
p. 22, b. 294-304
p. 23, b. 305-316
p. 24, b. 317-326
p. 25, b. 327-336
p. 26, b. 337-348
p. 27, b. 349-360
p. 28, b. 361-370
p. 29, b. 371-382
Main text
Main text
AsI - Working autograph of score
A - Autograph fair copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE3 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FESB - Later French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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AsI - Working autograph of score
A - Autograph fair copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE3 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FESB - Later French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 266

The flat to c4 is present only in EE and GE3. Its absence is not a mistake in this case, since back then there was a commonly used notation convention according to which the accidentals were also valid for the notes encompassed with an octave sign.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Accidentals in different octaves

notation: Pitch

Missing markers on sources: AsI, A, GE1, GE2, GE3, FESB, FE2, EE1, EE2, EE3, FE1
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