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p. 27, b. 349-360
p. 28, b. 361-370
p. 29, b. 371-382
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AsI - Working autograph of score
A - Autograph fair copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE3 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FESB - Later French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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AsI - Working autograph of score
A - Autograph fair copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE3 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FESB - Later French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 262-263

No markings under L.H. in Af & A

Wherever both hands move in parallel, Chopin very often considered markings written over the R.H. to be concerning both hands, particularly when both parts are written on one stave (cf., e.g. the Ballade in G minor, Op. 23, bars 1-5 and 251-256). Separate articulation markings for the L.H. in such contexts were one of the most frequently encountered editorial revisions. On the other hand, in the Variations Chopin himself wrote such markings a few times, e.g. at the beginning of Variation II (bars 135-137) and in the ending (bars 375-380). In this situation, being uncertain as to the authenticity of the dots and slur added in GE (→FE,EE), we do not include them in the main text.

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Slurs

Missing markers on sources: AsI, A, GE1, GE2, GE3, FESB, FE2, EE1, EE2, EE3, FE1