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p. 3, b. 30-44
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The missing ties to g1 in these bars could be easily considered oversights of the engraver of GE (→FE,EE), particularly since they are poorly visible in A. However, 4 bars later, in an analogous phrase, the respective ties to c2 are present neither in the editions nor in A, which makes us consider possible Chopinesque corrections to the discussed bars in GE1. According to us, it is also highly likely that even if the ties were overlooked, Chopin accepted repeated g1, resulting in an ability to shape more dynamic nuances in this fragment, of a clearly agitato nature.
category imprint: Differences between sources
issues: Errors in GE, Authentic corrections of GE
notation: Rhythm
Missing markers on sources:
AsI, A, GE1, GE2, GE3, FESB, FE2, EE1, EE2, EE3, FE1