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p. 2, b. 18-29
p. 1, b. 1-17
p. 2, b. 18-29
p. 3, b. 30-44
p. 4, b. 45-54
p. 5, b. 55-61
p. 6, b. 62-63
p. 7, b. 64-87
p. 8, b. 88-109
p. 9, b. 110-122
p. 10, b. 123-139
p. 11, b. 140-147
p. 12, b. 148-155
p. 13, b. 156-163
p. 14, b. 164-180
p. 15, b. 181-191
p. 16, b. 192-207
p. 17, b. 208-227
p. 18, b. 228-254
p. 19, b. 255-265
p. 20, b. 266-274
p. 21, b. 275-293
p. 22, b. 294-304
p. 23, b. 305-316
p. 24, b. 317-326
p. 25, b. 327-336
p. 26, b. 337-348
p. 27, b. 349-360
p. 28, b. 361-370
p. 29, b. 371-382
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AsI - Working autograph of score
A - Autograph fair copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE3 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FESB - Later French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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AsI - Working autograph of score
A - Autograph fair copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE3 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FESB - Later French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 26

g3 in AsI, A & FE1

f3 in GE (→EE,FESB)

In GE1 this note was being corrected during the printing process, which is evidenced by the visible – particularly in GE2 – traces of removal of the notehead of g3. Nevertheless, it is uncertain whether the correction was ordered by Chopin – it could have been performed by the reviser – he could have considered the notation of A a mistake. It is also likely that the initially printed g3 was devoid of a ledger line (such mistakes were quite frequent), and the reviser, without consulting the basis, considered the notehead to have been placed too high. Therefore, the authenticity of the version featuring f3 is uncertain; moreover, the fact that g3 was reintroduced into FE1 – undoubtedly by Chopin – proves that the composer eventually opted for g3, even if he were temporarily considering f3.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Chopin's hesitations, GE revisions, Authentic corrections of FE, Authentic corrections of GE

notation: Pitch

Missing markers on sources: AsI, A, GE1, GE2, GE3, FESB, FE2, EE1, EE2, EE3, FE1