Page: 
Source: 
p. 18, b. 228-254
p. 1, b. 1-17
p. 2, b. 18-29
p. 3, b. 30-44
p. 4, b. 45-54
p. 5, b. 55-61
p. 6, b. 62-63
p. 7, b. 64-87
p. 8, b. 88-109
p. 9, b. 110-122
p. 10, b. 123-139
p. 11, b. 140-147
p. 12, b. 148-155
p. 13, b. 156-163
p. 14, b. 164-180
p. 15, b. 181-191
p. 16, b. 192-207
p. 17, b. 208-227
p. 18, b. 228-254
p. 19, b. 255-265
p. 20, b. 266-274
p. 21, b. 275-293
p. 22, b. 294-304
p. 23, b. 305-316
p. 24, b. 317-326
p. 25, b. 327-336
p. 26, b. 337-348
p. 27, b. 349-360
p. 28, b. 361-370
p. 29, b. 371-382
AsI - Working autograph of score
Main text
AsI - Working autograph of score
A - Autograph fair copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE3 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FESB - Later French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Pitch
Rhythm
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Articulation, Accents, Hairpins
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No differences
AsI - Working autograph of score
A - Autograph fair copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE3 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FESB - Later French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 247-251

Semiquavers in AsI

Dotted rhythms in A (→GEFE,EE,FESB)

The rhythm with semiquavers only present in bars 247, 249 and the 1st half of bar 251 was written in AsI twice – as the earliest version (the initial one written in ink) and the latest one (corrections in pencil). While preparing the version for one piano for print, Chopin opted for dotted rhythms, which we give in the main text.

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category imprint: Corrections & alterations

issues: Dotted or even rhythm

notation: Rhythm

Missing markers on sources: AsI, A, GE1, GE2, GE3, FESB, FE2, EE1, EE2, EE3, FE1