Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
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Op. 2, Variations, complete
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The authenticity of the fingering of GE2 cannot be entirely ruled out; however, a few combinations contrary to the Chopinesque fingering confirmed by other pieces are an argument against this possibility (see bars 55-58). In the case of the digits added in this variation, it is not the digits themselves but the selection of notes that are provided with them that could be questioned – the use of the 1-2 fingering combination on all dyads is as obvious as the use of the 5th finger on the even, top semiquavers, hence it is surprising that they were treated differently. The same objection could be raised in the second place in which the fingering was added – in bar 230.
Compare the passage in the sources »
category imprint: Differences between sources
issues: GE revisions
notation: Fingering