Page: 
Source: 
p. 8, b. 64-103
p. 1
p. 2
p. 3, b. 1-20
p. 4, b. 21-37
p. 5, b. 38-49
p. 6, b. 50-58
p. 7, b. 59-63
p. 8, b. 64-103
p. 9, b. 104-115
p. 10, b. 116-135
p. 11, b. 136-146
p. 12, b. 147-158
p. 13, b. 159-175
p. 14, b. 176-188
p. 15, b. 189-207
p. 16, b. 208-229
p. 17, b. 230-254
p. 18, b. 255-263
p. 19, b. 264-270
p. 20, b. 271-291
p. 21, b. 292-306
p. 22, b. 307-322
p. 23, b. 323-336
p. 24, b. 337-346
p. 25, b. 347-354
p. 26, b. 355-368
p. 27, b. 367-382
p. 28
FESB - Later French edition
Main text
AsI - Working autograph of score
A - Autograph fair copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE3 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FESB - Later French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AsI - Working autograph of score
A - Autograph fair copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE3 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FESB - Later French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
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copy link PDF FESB - Later French edition

Original in: Biblioteca Nacional de España, Madrid


  b. 79

No repetition in AsI & GE (→FE,EE,FESB)

Repeat in A

It is difficult to assume that the removal of the repeat sign for b. 79-95 was not consulted with Chopin. However, the issue is generally obscure, since A is the only source in which the repeat sign was marked – it is absent both in AsI and in the orchestral material GEorch (→FEorch). Therefore, if the repeat signs are not a mistake, at some point Chopin considered expanding the Theme by 16 bars to eventually, after having sent A to the publisher, return to the initial concept. 

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Chopin's hesitations, Authentic corrections of GE, Changed phrase length

notation: Shorthand & other

Missing markers on sources: AsI, A, GE1, GE2, GE3, FESB, FE2, EE1, EE2, EE3, FE1