mUltimate Chopin

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p. 5, b. 15-19

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p. 2

p. 3, b. 1-8

p. 4, b. 9-14

p. 5, b. 15-19

p. 6, b. 20-26

p. 7, b. 27-32

p. 8, b. 33-38

p. 9, b. 39-44

p. 10, b. 45-48

p. 11, b. 49-52

p. 12, b. 53-57

p. 13, b. 58-61

p. 14, b. 62-63

p. 15, b. 63-63

p. 16, b. 64-70

p. 17, b. 71-79

p. 18, b. 80-86

p. 19, b. 87-95

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p. 23, b. 116-121

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p. 26, b. 136-140

p. 27, b. 141-151

p. 28, b. 152-157

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p. 30, b. 164-167

p. 31, b. 168-175

p. 32, b. 176-182

p. 33, b. 183-183

p. 34, b. 184-188

p. 35, b. 189-194

p. 36, b. 195-202

p. 37, b. 203-207

p. 38, b. 208-211

p. 39, b. 212-223

p. 40, b. 224-228

p. 41, b. 229-233

p. 42, b. 234-238

p. 43, b. 239-244

p. 44, b. 245-254

p. 45, b. 255-260

p. 46, b. 261-264

p. 47, b. 265-268

p. 48, b. 269-272

p. 49, b. 273-279

p. 50, b. 280-285

p. 51, b. 286-291

p. 52, b. 292-296

p. 53, b. 297-301

p. 54, b. 302-307

p. 55, b. 308-313

p. 56, b. 314-319

p. 57, b. 320-324

p. 58, b. 325-329

p. 59, b. 330-334

p. 60, b. 335-340

p. 61, b. 341-346

p. 62, b. 347-352

p. 63, b. 353-358

p. 64, b. 359-364

p. 65, b. 365-369

p. 66, b. 370-374

p. 67, b. 375-379

p. 68, b. 380-382

p. 69

p. 70

p. 71

p. 72

AsI - Working autograph of score

Main text

AsI - Working autograph of score

A - Autograph fair copy

GE - German edition

GE1 - First German edition

GE2 - Corrected impression of GE1

GE3 - Second German edition

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FESB - Later French edition

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE1

EE3 - Revised impression of EE2

Select notes:

mark annotations

Category

Notation

Differences

No differences

AsI - Working autograph of score

A - Autograph fair copy

GE - German edition

GE1 - First German edition

GE2 - Corrected impression of GE1

GE3 - Second German edition

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FESB - Later French edition

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE1

EE3 - Revised impression of EE2

Importance

Undo Clear

image transcript edited text

Prezentacja

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copy link PDF AsI - Working autograph of score

Original in: Pierpont Morgan Library, New York

b. 15

d² in AsI

d² in A (→GE→FE,EE,FESB)

Taking into account the three previous similar phrases in this bar and d² in AsI, one could assume an oversight of a in A. However, it seems more likely that Chopin consciously changed the pitch of this note:

Chopin would often omit accidentals to notes belonging to the current key; however, he would rarely overlook an accidental supposed to define the alteration (only a few times in his entire oeuvre);
Chopin did not correct the possible mistake while proofreading FE, despite the fact that he changed slurs in this very bar.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Main-line changes

notation: Pitch

Missing markers on sources: AsI, A, GE1, GE2, GE3, FESB, FE2, EE1, EE2, EE3, FE1

Complete ➔

Op. 2, Variations, complete