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Issues : Inaccuracies in GE
b. 5
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composition: Op. 2, Variations, complete
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In A, the pair of dynamic hairpins was written as close as possible to the top voice so that it was clear that it concerned this very voice; the slightly shortened category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Scope of dynamic hairpins , EE inaccuracies , Inaccuracies in A |
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b. 5-6
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composition: Op. 2, Variations, complete
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In A, the short category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Inaccuracies in GE , Inaccuracies in FE , Scope of dynamic hairpins , EE inaccuracies , Inaccuracies in A |
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b. 10
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composition: Op. 2, Variations, complete
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We attribute the change of dots to wedges to the engraver's carelessness (manner?), since there are many more such changes of staccato marks, musically unjustified, e.g. in b. 14 or 35. See also b. 271-272. category imprint: Differences between sources issues: Inaccuracies in GE , Wedges |
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b. 11
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composition: Op. 2, Variations, complete
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This is one of many inaccuracies of GE in the reproduction of Chopinesque slurs (as well as, e.g. dynamic hairpins), which would often be adjusted to clear rhythmic structures, e.g. beams or bars. However, it should be noted that A can also be imprecise in this respect – cf., e.g. b. 9. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 13-14
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composition: Op. 2, Variations, complete
category imprint: Differences between sources issues: Inaccuracies in GE |