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Issues : Inaccuracies in A
b. 5
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composition: Op. 2, Variations, complete
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In A, the pair of dynamic hairpins was written as close as possible to the top voice so that it was clear that it concerned this very voice; the slightly shortened category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Scope of dynamic hairpins , EE inaccuracies , Inaccuracies in A |
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b. 5-6
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composition: Op. 2, Variations, complete
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In A, the short category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Inaccuracies in GE , Inaccuracies in FE , Scope of dynamic hairpins , EE inaccuracies , Inaccuracies in A |
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b. 11
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composition: Op. 2, Variations, complete
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In the main text we add a cautionary category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Inaccuracies in A |
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b. 14
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composition: Op. 2, Variations, complete
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In A, there are no naturals to the b2 and b3 demisemiquavers. The latter was already corrected in GE (→FE,EE). In the case of b2, the missing category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 27
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composition: Op. 2, Variations, complete
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In A there are no accidentals to the last small semiquaver in each of the group of grace notes. This patent inaccuracy was already corrected in GE1 and in all subsequent editions. The AsI notation is more accurate – only the category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |