Issues : Corrections of AI
b. 94
|
composition: Op. 2, Variations, complete
..
At first glance, AsI has 4 demisemiquavers here, creating a diatonic progression as in bar 78. However, a closer look shows that Chopin later added the notes b1 and c2, transforming the group into the chromatic sextuplet known from the published version. The insertion does not suggest a final change, it is rather intended to note an alternative idea, so we adopt the original version with 4 demisemiquavers as the text of AsI. This version is included as a variant in the note below, pertaining to slurs. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Main-line changes , Corrections of AI |
||||||||
b. 115
|
composition: Op. 2, Variations, complete
category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Accompaniment changes , Main-line changes , Corrections of AI |
||||||||
b. 132-133
|
composition: Op. 2, Variations, complete
category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Main-line changes , Corrections of AI |
||||||||
b. 195
|
composition: Op. 2, Variations, complete
..
There are two versions in AsI – the earlier one, written in normal-sized notes, which we consider to be the text of this source, and the later one, marked with additional small notes. This second version, almost identical to the one added in AsI in bar 179, can be considered a first attempt at the final version appearing in other sources. The notation of the second version is not univocal:
category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes , Main-line changes , Corrections of AI |