Pedalling
b. 15
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composition: Op. 2, Variations, complete
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The lack of the sign should be considered Chopin's inaccuracy in this context. The sign was added only in EE. category imprint: Differences between sources issues: EE revisions , No pedal release mark |
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b. 40-41
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composition: Op. 2, Variations, complete
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In addition to the mark at the end of b. 39, A (→GE→FE,EE) includes the same mark also before the 1st chord in b. 41. A more detailed analysis of A reveals that in the middle of b. 40 there were initially marks, eventually erased and most probably replaced with the first mark. Therefore, it seems that Chopin initially wrote two pedals in b. 39-40, one from the 2nd beat of b. 39 to the middle of b. 40 and another encompassing the 2nd half of b. 41 (to the preserved mark) before shortening the first pedal and removing the second, inadvertently leaving the asterisk at the beginning of b. 41. EE added the allegedly overlooked mark yet without taking into account the change of chord in the middle of the bar; this pedalling cannot come from Chopin. category imprint: Editorial revisions; Corrections & alterations issues: EE revisions , Corrections in A , Errors resulting from corrections , Errors of A |
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b. 49-50
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composition: Op. 2, Variations, complete
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In FE the mark was probably overlooked. In b. 50, on the next page, the corresponding mark was reproduced correctly, which, however, is not enough for us to guess the authentic pedalling, since there are a few places in which the overlooked mark could be placed. Due to the above, we treat the text of FE as not including pedalling markings in these bars. category imprint: Differences between sources issues: Errors in FE |
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b. 54
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composition: Op. 2, Variations, complete
category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 60
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composition: Op. 2, Variations, complete
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The shift of the asterisk before the last quaver is most likely an inaccuracy of the engraver of GE3. category imprint: Differences between sources issues: Inaccuracies in GE |