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Issues : EE revisions
b. 265
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composition: Op. 2, Variations, complete
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In AsI, Af and A (→GE1→EE1→EE2) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Errors of A , Authentic corrections of FE , FE revisions |
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b. 267
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composition: Op. 2, Variations, complete
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The change of the type of accents to the vertical one was an arbitrary decision of EE, quite frequent. The missing accent on c category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 268
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composition: Op. 2, Variations, complete
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It is highly likely that Chopin overlooked the accents, since they are present in the analogous figures both in the previous bars and the next one. It is difficult to assume that Chopin would have wanted to forgo accents, especially the one on f category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 268-269
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composition: Op. 2, Variations, complete
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In A the staccato marks over the bass G category imprint: Differences between sources issues: EE revisions , Errors in FE , Inaccuracies in GE , GE revisions , Wedges |
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b. 269
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composition: Op. 2, Variations, complete
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In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions , Cautionary accidentals , Authentic corrections of FE , FE revisions |