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Issues : Inaccuracies in A
b. 317
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composition: Op. 2, Variations, complete
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As so many times before, the dots having been reproduced as wedges resulted from the simplified interpretation of the notation of A by the engraver of GE1. In this case, it is very difficult to notice the second one, since it is overlapped by the cresc. indication. category imprint: Graphic ambiguousness; Differences between sources issues: GE revisions , Wedges , Inaccuracies in A |
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b. 320
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composition: Op. 2, Variations, complete
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The sources do not include an accidental over the mordent. In this harmonic context, the use of b category imprint: Interpretations within context; Editorial revisions |
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b. 321-322
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composition: Op. 2, Variations, complete
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In A there are no accidentals to the last semiquaver on each beat of the bar – Chopin considered the accidentals written to the earlier notes placed an octave lower to be valid (AsI is slightly more accurate, since it includes a category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Cautionary accidentals , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 324-325
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composition: Op. 2, Variations, complete
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As in bars 321-322, Chopin did not write in A accidentals to the last semiquaver of each beat of these bars. All necessary accidentals were already added in GE (→FE,EE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 331
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composition: Op. 2, Variations, complete
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The missing dynamic hairpins under the L.H. part are almost certainly a mistake by the engraver of GE1. It is difficult to determine the exact range of the marks in A, since their arms are of different length. category imprint: Graphic ambiguousness; Differences between sources issues: Scope of dynamic hairpins , Errors in GE , Inaccuracies in A |