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Issues : Errors of A
b. 244
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composition: Op. 2, Variations, complete
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None of the sources includes accidentals before the last octave except GE3, in which a category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions , Errors of A |
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b. 251
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composition: Op. 2, Variations, complete
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In A (→GE1→EE) the top stave remained unfilled in this bar, which did not attract the engraver's attention in GE1 (→EE1). The mistake was corrected by FE and GE2 (→GE3,FESB) by introducing notes and rests, as a result of which the complete record is compliant with the sound of the orchestra and present already in AsI. The correct text was also introduced by EE2 (→EE3), in which the rests filling this bar on the top stave were omitted. This kind of notation, more clearly indicating that the bass octave motif should be performed with two hands, could be even considered more convenient, particularly since this is how the next bars are written down (without rests on the top stave). category imprint: Interpretations within context; Differences between sources issues: Errors of A |
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b. 253
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composition: Op. 2, Variations, complete
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The missing category imprint: Differences between sources issues: EE revisions , Errors of A , Authentic corrections of FE |
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b. 255
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composition: Op. 2, Variations, complete
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Both in the last L.H. chord and in the R.H. arpeggio on the 4th beat of the bar, neither AsI nor Af nor A (→GE1→FE,EE) contain accidentals before g/g
The decisive argument for g is provided by the orchestral part – there is a g note in the 2nd violins, and the violins could not play g The first edition to add naturals was GE2 (→FESB), 4 accidentals in total raising g category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , Errors of A , Last key signature sign |
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b. 257
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composition: Op. 2, Variations, complete
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The version of AsI and A with f3 as the topmost note of the chord on the 2nd beat of the bar is almost certainly erroneous, and it was d3 that was intended by Chopin from the very beginning. It is supported by:
What is more, the discussed note is written in A inaccurately, hence in GE1 (→EE) it was reproduced as e category imprint: Differences between sources issues: Terzverschreibung error , GE revisions , Errors in the number of ledger lines , Errors of A , Inaccurate note pitch in A , Authentic corrections of FE , Inaccuracies in A , Errors repeated in GE , Errors repeated in EE |