![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Errors in GE
b. 242-247
|
composition: Op. 2, Variations, complete
..
At the beginning of bars 242, 244 and 247 some – in bar 244 all – sources omit the wedges over the 1st L.H. octave. These are the engravers' mistakes or Chopin's oversight. We provide all 3 marks in the main text. category imprint: Differences between sources; Editorial revisions issues: Errors in FE , Errors in GE |
||||||||||
b. 244
|
composition: Op. 2, Variations, complete
..
In GE3 the category imprint: Interpretations within context; Differences between sources issues: Errors in GE |
||||||||||
b. 251
|
composition: Op. 2, Variations, complete
..
The absence of a slur in the editions is almost certainly a consequence of the omission by the engraver of GE1. category imprint: Differences between sources issues: Errors in GE |
||||||||||
b. 255
|
composition: Op. 2, Variations, complete
..
Both in the last L.H. chord and in the R.H. arpeggio on the 4th beat of the bar, neither AsI nor Af nor A (→GE1→FE,EE) contain accidentals before g/g
The decisive argument for g is provided by the orchestral part – there is a g note in the 2nd violins, and the violins could not play g The first edition to add naturals was GE2 (→FESB), 4 accidentals in total raising g category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , Errors of A , Last key signature sign |
||||||||||
b. 262
|
composition: Op. 2, Variations, complete
..
The versions of Af and A, identical in terms of the way they sound, differ only in additions – an indication specifying the instrumental group in Af and a category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Errors in GE , Accompaniment changes , Authentic corrections of FE |