Slurs
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b. 135-136
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composition: Op. 2, Variations, complete
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In the main text we suggest adding a slur after the authentic solo part slurs. Cf. also the L.H. slurs in the version for one piano in b. 136-137 and 137-138. The slur added in EE3 was modelled on the L.H. slur of the solo part, inaccurately reproduced by EE1 (→EE2). category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 135-136
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composition: Op. 2, Variations, complete
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In EE the L.H. slur is poorly imprinted, as a result of which it ends abruptly under the last demisemiquaver in b. 135. The shape of the slur clearly reveals that the shorter slur was neither intended nor erroneous – it was supposed to end over the wedge under the 1st demisemiquaver in b. 136; however, due to a printing defect, one can see only its left half. category imprint: Differences between sources issues: EE inaccuracies |
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b. 168
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composition: Op. 2, Variations, complete
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We suggest the slur in the main text on the basis of the authentic slur in an analogous motif in b. 170 and the respective slurs in the adjacent variations, b. 128 and 200. category imprint: Editorial revisions |
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b. 180
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composition: Op. 2, Variations, complete
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In the main text, we propose adding a slur covering a pair of double stops at the transition of bars 180-181, b category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 181
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composition: Op. 2, Variations, complete
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In the main text, we propose adding a slur covering a pair of double stops at the transition of bars 180-181, b category imprint: Differences between sources; Editorial revisions issues: EE revisions |
-a1 and e
