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Issues : Omissions to cancel alteration
b. 311
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composition: Op. 2, Variations, complete
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In A the category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Omissions to cancel alteration , GE revisions , Errors of A |
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b. 319
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composition: Op. 2, Variations, complete
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The pitch of the middle note in the penultimate triplet (in both bars) raised doubts of many later editors of Chopin's works. In fact, there are many arguments that make one consider an oversight of the category imprint: Editorial revisions; Source & stylistic information issues: Omissions to cancel alteration , Errors of A |
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b. 320
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composition: Op. 2, Variations, complete
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The sources do not include an accidental over the mordent. In this harmonic context, the use of b category imprint: Interpretations within context; Editorial revisions |
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b. 325
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composition: Op. 2, Variations, complete
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The pitch of the 2nd semiquaver in the 5th triplet is questionable – when interpreted literally, it is an e3; however, in all analogous places a respective note is placed a fifth (perfect) lower than the previous one, in this case e In AsI the 5th triplet in the bar is presented in the initial form (see also bar 328), in which the problematic note is absent. The introduction of a change in this place is an argument for Chopin's mistake in A, since corrections narrow down the attention field, which is conducive to errors. category imprint: Interpretations within context; Differences between sources; Editorial revisions; Corrections & alterations issues: Accidentals in different octaves , Omissions to cancel alteration , Errors resulting from corrections , Errors of A , Main-line changes |
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b. 339
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composition: Op. 2, Variations, complete
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In A and in the majority of the editions the category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Omissions to cancel alteration , GE revisions , Errors of A |