Issues : Errors repeated in GE
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b. 268
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composition: Op. 2, Variations, complete
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The triplets in the 2nd half of the bar are written in A (→GE1→FE,EE) as demisemiquavers instead of semiquavers. The mistake was corrected by GE2 (→GE3,FESB). category imprint: Interpretations within context; Differences between sources issues: GE revisions , Rhythmic errors , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 273
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composition: Op. 2, Variations, complete
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The second note in the L.H. part in AsI, A (→GE→FE) and EE3 is a dotted quaver, as a result of which the bar is a semiquaver too short. In the full, orchestral version of this tutti, the cello (and bassoon) phrase starts from the beginning of the bar with a dotted crotchet, which could have suggested to Chopin that it was also in the version for one piano, after shifting the beginning to the 2nd quaver, that the new value should be dotted. The mistake, easy to detect, was noticed and corrected only by FESB. By contrast, in EE1 (→EE2) the dot prolonging this note was left out – it could have been a failed attempt at correcting this mistake. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE , Rhythmic errors , Errors of A , Errors repeated in GE , Errors repeated in FE , Revisions in FESB |
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b. 311
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composition: Op. 2, Variations, complete
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The wedges, added to the bass crotchets in GE1 certainly by mistake, were strangely consistently repeated by all the remaining editions. The source of the mistake could be the first crotchet stem, to f, which in A does not reach the notehead and therefore could have been considered a wedge. category imprint: Differences between sources issues: Errors in GE , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 313
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composition: Op. 2, Variations, complete category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , FE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 321-322
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composition: Op. 2, Variations, complete
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In A there are no accidentals to the last semiquaver on each beat of the bar – Chopin considered the accidentals written to the earlier notes placed an octave lower to be valid (AsI is slightly more accurate, since it includes a category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Cautionary accidentals , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
overlooked by Chopin before the last semiquaver (e2) was added only in 
to c
2 in bar 321). In