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Issues : FE revisions
b. 302
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composition: Op. 2, Variations, complete
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In GE1 (→FE1,EE,GE2→GE3,FESB) there is no category imprint: Interpretations within context; Differences between sources issues: Errors in GE , Authentic corrections of FE , FE revisions |
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b. 310
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composition: Op. 2, Variations, complete
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The differences in the range of the category imprint: Differences between sources issues: Scope of dynamic hairpins , Errors in GE , GE revisions , FE revisions |
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b. 313
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composition: Op. 2, Variations, complete category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , FE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 327
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composition: Op. 2, Variations, complete
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In GE1 (→FE1,EE1→EE2) there are no accidentals to the fifth on the 2nd quaver in the bar, which would result in B category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in GE , GE revisions , Authentic corrections of FE , FE revisions , Errors repeated in FE , Errors repeated in EE |
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b. 327-328
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composition: Op. 2, Variations, complete
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As in previous analogous sequences, Chopin did not see the reason to write accidentals to the topmost notes of the ascending triplets. In GE1 (→FE,EE) only 2 sharps in bar 328 were added, c category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , FE revisions |