Issues : Errors of A
b. 149
|
composition: Op. 2, Variations, complete
..
In AsI there are no accidentals before the last two demisemiquavers in the bar. This time, Chopin's patent oversight – cf. analogous b. 137, 141 and 145 – remained unnoticed also in A (→GE→FESB,EE1→EE2). It was only FE and EE3 that added flats restoring b and b1. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors of A , Authentic corrections of FE , Omitted correction of an analogous place , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
||||||||
b. 154
|
composition: Op. 2, Variations, complete
..
In A (→GE1→GE2,FE,EE) Chopin overlooked the raising e1 to e1 in the alternative accompaniment chord, despite it being present in AsI. The accidental was then added only in FESB and GE3. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
||||||||
b. 161
|
composition: Op. 2, Variations, complete
..
As in b. 149, in the manuscripts the accidentals restoring c(1) and B (b) at the end of the bar are missing. The mistake was corrected only in FE and yet only partly by adding flats to the last demisemiquaver. category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
||||||||
b. 162
|
composition: Op. 2, Variations, complete
..
The third (e) of the seventh chord present in AsI having been replaced with a g fifth seems to be the composer's mistake rather than an intended change. It is indicated by:
In this situation, in the main text we adopt the version of this chord written down in AsI, adding a to that note, undoubtedly overlooked by inadvertence in this draft manuscript. category imprint: Differences between sources issues: Errors of A |
||||||||
b. 163
|
composition: Op. 2, Variations, complete
..
The missing e1 note in the last chord of the alternative accompaniment most probably resulted from Chopin's oversight in A – cf. analogous b. 139 and 147 both in the version for one piano and in the orchestral part (e.g. in AsI). The note was added by GE3, and this is the version we give in the main text. category imprint: Interpretations within context; Differences between sources; Editorial revisions; Source & stylistic information issues: GE revisions , Errors of A |