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Issues : Errors of A
b. 149
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composition: Op. 2, Variations, complete
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In AsI there are no accidentals before the last two demisemiquavers in the bar. This time, Chopin's patent oversight – cf. analogous b. 137, 141 and 145 – remained unnoticed also in A (→GE→FESB,EE1→EE2). It was only FE and EE3 that added flats restoring b category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors of A , Authentic corrections of FE , Omitted correction of an analogous place , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 154
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composition: Op. 2, Variations, complete
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In A (→GE1→GE2,FE,EE) Chopin overlooked the category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 161
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composition: Op. 2, Variations, complete
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As in b. 149, in the manuscripts the accidentals restoring c(1) and B category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 162
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composition: Op. 2, Variations, complete
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The third (e) of the seventh chord present in AsI having been replaced with a g fifth seems to be the composer's mistake rather than an intended change. It is indicated by:
In this situation, in the main text we adopt the version of this chord written down in AsI, adding a category imprint: Differences between sources issues: Errors of A |
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b. 163
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composition: Op. 2, Variations, complete
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The missing e category imprint: Interpretations within context; Differences between sources; Editorial revisions; Source & stylistic information issues: GE revisions , Errors of A |