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Issues : Accidentals in different octaves
b. 287-288
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composition: Op. 2, Variations, complete
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In AsI and A, accidentals were put only next to the top notes of the octaves – a category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 298-300
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composition: Op. 2, Variations, complete
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In R.H. figurations Chopin considers accidentals to be valid also in adjacent octaves. Therefore, in A there are no flats to the 9th, 12th and 15th semiquavers in bar 298 (a category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 309
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composition: Op. 2, Variations, complete
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The category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 313
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composition: Op. 2, Variations, complete category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , FE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 321-322
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composition: Op. 2, Variations, complete
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In A there are no accidentals to the last semiquaver on each beat of the bar – Chopin considered the accidentals written to the earlier notes placed an octave lower to be valid (AsI is slightly more accurate, since it includes a category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Cautionary accidentals , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |