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Op. 2, Variations, complete

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b. 338

composition: Op. 2, Variations, complete

b in last quaver in A (→GE→EE,FESB)

No b in FE
..

Chopin removed b while proofreading FE1 (→FE2). The removal of this note prepares a strictly four-part texture of the next two bars and ensures that the chromatic connection between the G6< major and B major chords is as legible as possible.

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes , Authentic corrections of FE

b. 339

composition: Op. 2, Variations, complete

..

In A and in the majority of the editions the  restoring e2 is missing. Chopin's mistake, patent in this harmonic context, and typical of him, is proven by the  in the piano part of AsI and by the orchestral part – a respective accidental is in the part of the first clarinet. A flat was added only in GE3.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: Omissions to cancel alteration , GE revisions , Errors of A

b. 339-340

composition: Op. 2, Variations, complete

..

In the main text we add cautionary accidentals – a  to e1 in bar 339 and to e2 in bar 340 and a  to g2 in bar 339. Such accidentals were also added in the first editions:

  • in EE a  to g2 in bar 340,
  • in FESB a  to e2 and a  to g2 in bar 340,
  • in GE3 a  to e1 in bar 339 and to e2 in bar 340.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions , Revisions in FESB

b. 340

composition: Op. 2, Variations, complete

b1-d2 in A & FESB

b1-d2 in AsI & GE (→FE,EE)
..

The version of A featuring b1 must be Chopin's mistake, which in this case could be explained by score-like thinking – in the voice of the 2nd clarinet implementing the bottom line of the semiquavers, a  restoring b is unnecessary. The accidental, present in AsI, was then added already in the stage of proofreading GE (→FE,EE), perhaps by Chopin. It is the engraver of FESB that is to blame for the absence of this accidental in this edition.

category imprint: Differences between sources

issues: Omissions to cancel alteration , GE revisions , Errors of A , Authentic corrections of GE ,

b. 356

composition: Op. 2, Variations, complete

No 8¯ ¯ ¯ in A (→GE1→FE1,EE1→EE2)

8¯ ¯ ¯ in AsI, GE2 (→GE3,FESB), FE2 & EE3
..

The version of A must be erroneous, which is indicated by a comparison with analogous bar 342, the text of AsI and probably Chopinesque proofreading of FE2. An octave sign was also added in GE2 (→GE3,FESB) and EE3. If – which is likely – the change in EE3 was introduced on the basis of a comparison with FE, it means that a copy of FE2 was used.

category imprint: Differences between sources

issues: EE revisions , GE revisions , Errors of A , Authentic corrections of FE