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Issues : FE revisions
b. 63
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composition: Op. 2, Variations, complete
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In the main text we add a category imprint: Differences between sources; Editorial revisions issues: FE revisions |
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b. 104-108
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composition: Op. 2, Variations, complete
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The notation of FE, with the demisemiquaver going beyond the 3rd note of the semiquaver triplet (in b. 104 and 106-108), is contrary to the Chopinesque understanding of this kind of combination of a dotted rhythm with a triplet – see the note on b. 45-46. category imprint: Differences between sources issues: Dotted rhythms and triplets , FE revisions |
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b. 108
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composition: Op. 2, Variations, complete
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Contrary to the situation in b. 103, in A (→GE→FESB) there is no cautionary category imprint: Differences between sources issues: EE revisions , Errors in EE , Cautionary accidentals , FE revisions |
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b. 110-122
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composition: Op. 2, Variations, complete
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The notation of FE, with the demisemiquaver going beyond the 3rd note of the semiquaver triplet (in b. 110, 120 and 122), is contrary to the Chopinesque understanding of this kind of combination of a dotted rhythm with a triplet – see the note on b. 45-46. category imprint: Differences between sources issues: Dotted rhythms and triplets , FE revisions |
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b. 123-126
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composition: Op. 2, Variations, complete
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The notation of FE, with the demisemiquaver going beyond the 3rd note of the semiquaver triplet (in b. 123, 124 and 126), is contrary to the Chopinesque understanding of this kind of combination of a dotted rhythm with a triplet – see the note to b. 45-46. category imprint: Differences between sources issues: Dotted rhythms and triplets , FE revisions |