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Issues : GE revisions
b. 340
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composition: Op. 2, Variations, complete
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The version of A featuring b1 must be Chopin's mistake, which in this case could be explained by score-like thinking – in the voice of the 2nd clarinet implementing the bottom line of the semiquavers, a category imprint: Differences between sources issues: Omissions to cancel alteration , GE revisions , Errors of A , Authentic corrections of GE , |
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b. 340
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composition: Op. 2, Variations, complete
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The omission of the category imprint: Differences between sources issues: GE revisions |
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b. 342
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composition: Op. 2, Variations, complete
category imprint: Differences between sources issues: GE revisions |
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b. 342
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composition: Op. 2, Variations, complete
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Wedges instead of staccato dots almost certainly resulted from an ad hoc revision of the engraver of GE1, who unified these marks in the entire finale of the Variations. category imprint: Differences between sources issues: GE revisions , Wedges |
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b. 345-346
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composition: Op. 2, Variations, complete
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In both bars wedges instead of dots must have resulted from an ad hoc revision by the engraver of GE1, who unified these marks in the entire finale of the Variations. category imprint: Differences between sources issues: GE revisions , Wedges |