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Issues : Dotted or even rhythm
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b. 246
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composition: Op. 2, Variations, complete
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As was the case with a few other places in this tutti, the semiquavers in AsI are the initial version, present in this manuscript in the orchestral part too. Cf. bars 242 and 244 and 247-251. category imprint: Differences between sources; Corrections & alterations issues: Dotted or even rhythm |
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b. 247-251
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composition: Op. 2, Variations, complete
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The rhythm with semiquavers only present in bars 247, 249 and the 1st half of bar 251 was written in AsI twice – as the earliest version (the initial one written in ink) and the latest one (corrections in pencil). While preparing the version for one piano for print, Chopin opted for dotted rhythms, which we give in the main text. category imprint: Corrections & alterations issues: Dotted or even rhythm |
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b. 267
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composition: Op. 2, Variations, complete
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In the version of AsI and A (→GE→FESB) the dot prolonging g category imprint: Graphic ambiguousness; Differences between sources issues: Authentic corrections of FE , FE revisions , Dotted or even rhythm , Inaccuracies in A |
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