Pitch
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b. 130
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composition: Op. 2, Variations, complete
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We add a cautionary category imprint: Editorial revisions |
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b. 132
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composition: Op. 2, Variations, complete
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We add cautionary flats before es1 and es3. The accidentals were also added in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 135
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composition: Op. 2, Variations, complete
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The version without f2, introduced – most probably by Chopin – at the stage of proofreading FE, is also a version that was entered into AsI, in which the note was also removed (deleted, like f in the L.H. on the same quaver). Therefore, if the correction to AsI preceded the preparation of A, we are dealing with Chopin's hesitation, who changed his mind on the presence of this note three times. Another possibility would be the initial version having been erroneously entered into A. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information |
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b. 135-139
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composition: Op. 2, Variations, complete
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In AsI the alternative L.H. part (harmonic accompaniment) is not written out in these bars – Chopin started writing it only just from b. 140. Due to b. 136-141 having been written down with a repeat sign in AsI, the alternative part is also absent in b. 144-147. category imprint: Differences between sources; Corrections & alterations issues: Incomplete sources |
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b. 136
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composition: Op. 2, Variations, complete
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In the main text we give the proofread – almost certainly by Chopin – version of FE, with a "lighter" sixth instead of a three-note chord. A similar situation is in b. 144 and 160. category imprint: Differences between sources; Corrections & alterations |
before b
1 in the main text.
