![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Authentic corrections of FE
b. 359
|
composition: Op. 2, Variations, complete
..
As in bar 345, the engraver of GE (→EE,FESB) erroneously reproduced the B category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE |
|||||
b. 370
|
composition: Op. 2, Variations, complete
..
The version of A and of the majority of the editions with g
category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Errors resulting from corrections , Errors of A , Enharmonic corrections , Authentic corrections of FE |
|||||
b. 371
|
composition: Op. 2, Variations, complete
..
The version of FE1 is a mistake by the engraver, as evidenced by the compliant text of the remaining sources, including FE2, in which the mistake was corrected, probably at Chopin's request. category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |
|||||
b. 373
|
composition: Op. 2, Variations, complete
..
In GE1 (→FE1,EE1) the last semiquaver is a2. The patent mistake – cf. analogous bar 271 – was corrected in FE2, probably at Chopin's request, and in GE2 (→GE3,FESB) and EE2 (→EE3). category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE |