Articulation, Accents, Hairpins
b. 108
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composition: Op. 2, Variations, complete category imprint: Editorial revisions |
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b. 110-122
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composition: Op. 2, Variations, complete
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In AsI the first variation is written as a draft, without almost any indications or performance markings except the wedge in b. 114 and two L.H. slurs in b. 114-115. We do not comment on the lack of particular markings further on. category imprint: Differences between sources |
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b. 112
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composition: Op. 2, Variations, complete
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In A the arms of the mark are of different length; in this case, we regard the top, longer arm as reliable. category imprint: Differences between sources issues: Scope of dynamic hairpins , GE revisions |
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b. 114-115
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composition: Op. 2, Variations, complete
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The slurs in AsI – the only performance markings in this variation together with the wedge over c2 in b. 114 – could have a rhythmic (triplet slurs) or a motivic meaning. Anyways, Chopin abandoned them in the published version; instead, he wrote here staccato dots, which in GE1 and in the remaining editions were routinely replaced with wedges. category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Wedges |
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b. 123-135
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composition: Op. 2, Variations, complete category imprint: Differences between sources |