Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 2, Variations, complete
As in bar 265, the pedalling marks in the 1st half of the bar are inaccurately aligned in A – the first 
mark is written as early as under the chord on the 2nd quaver in the bar, while the next 
mark – directly behind it, still before the d
1 crotchet in the top voice. However, as the 2nd, 3rd and 4th quavers in the bar are written very close to each other, one can guess that the inaccurate alignment resulted from lack of space; consequently, in the editions the notation was corrected in accordance with the analogous places and the pianistic sense.
Compare the passage in the sources »
category imprint: Graphic ambiguousness; Differences between sources
issues: GE revisions, Inaccuracies in A
notation: Pedalling
