Page: 
Source: 
p. 3, b. 55-76
p. 1, b. 1-27
p. 2, b. 28-54
p. 3, b. 55-76
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Main text
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
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FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
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  b. 72-74

markings in FE (→GE1)

pairs in EEW

  pairs in GE2 (→GE3)

3 pairs   suggested by the editors

The pianistically unjustified absence of accurate pedal markings in FE (→GE1) in these bars points to likely inaccuracy of notation. One of the reasons could be the lack of space at the bottom of the page (in FE and in the remaining editions bar 72 opens the last line of the text). In EEW and GE2 (→GE3) pedal marks were added, arbitrary and completely misconceived. In the main text we suggest an addition taking into account both the harmonic course and the dramatic, culminant nature of this phrase.

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, Inaccuracies in FE, GE revisions

notation: Pedalling

Missing markers on sources: FE1, FE2, FES, GE1, GE3, GE2, EEW