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p. 3, b. 55-76
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b. 72
The change of e1 to g1 in the chord on the 2nd beat of the bar, introduced in the stage of proofreading FE2 (→EEW), bears traces of a Chopinesque improvement – it eliminates the parallel resolution of a doubled leading e1-e2 note to f1-f2 in the next bar.
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category imprint: Differences between sources; Corrections & alterations
issues: Authentic corrections of FE
notation: Pitch
Missing markers on sources:
FE1, FE2, FES, GE1, GE3, GE2, EEW