Page: 
Source: 
p. 1, b. 1-27
p. 1, b. 1-27
p. 2, b. 28-54
p. 3, b. 55-76
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FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
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FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
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  b. 5-7

Lower register of accompaniment in FE1 (→GE)

Higher register of accompaniment in FE2 (→EEW)

The authenticity of the change of position of the accompanying chords and the bass register introduced in FE2 (→EE) is unquestionable. In a later version Chopin polished up the sequence of 3 voices contained in chords in the tenor and alto register and avoided a parallel shift of chords (G major→C minor) between bars 7 and 8.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes, Authentic corrections of FE, Bass register changes

notation: Pitch

Missing markers on sources: FE1, FE2, FES, GE1, GE3, GE2, EEW