Page: 
Source: 
p. 1, b. 1-28
p. 1, b. 1-28
p. 2, b. 29-56
Main text
Main text
As - Autograph sketch
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
As - Autograph sketch
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 21

G & E in As, contextual interpretation

E & E in As

In As, the accompanying voices are not written down, which we interpret as a repetition of the version of the analogous bar 17. However, it is not entirely certain whether it was a signal "as before" or just "like before". For this reason, we discuss independently the accompanying voices not specified in As, and the written out melodic voice.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: Accompaniment changes

notation: Pitch

Missing markers on sources: FE1, FE2, FES, GE1, GE2, GE3, EEW, As