mUltimate Chopin

Op. 63 No. 2, Mazurka in F minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 2, b. 29-56
p. 1, b. 1-28
p. 2, b. 29-56
Main text
Main text
As - Autograph sketch
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
As - Autograph sketch
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
Importance
All
Important
Main
Undo Clear
Prezentacja
Select 
copy link PDF Main text

  b. 34-36

Minims in As

Dotted rhythms & crotchets in FE (→GE,EE)

Rhythmic comminution of the upper R.H. voice in bars 34 and 36 was introduced by Chopin only when preparing the Mazurka for printing. It is worth noting that in bars 23-24 and 31-32 the direction of changes was the opposite – the version with shorter rhythmic values was the original one (the  rhythm was replaced by a minim).

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Main-line changes

notation: Rhythm

Missing markers on sources: FE1, FE2, FES, GE1, GE2, GE3, EEW, As
Complete ➔