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Issues : Accompaniment changes
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b. 17
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composition: Op. 63 No. 2, Mazurka in F minor
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In the final version, Chopin completed the last chord of the bar, probably aiming to emphasize the livelier, devoid of melancholy character of the new phrase with a firmer sound of the full dominant ninth chord. category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 18
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composition: Op. 63 No. 2, Mazurka in F minor
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The octave of E category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Accompaniment changes |
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b. 19-27
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composition: Op. 63 No. 2, Mazurka in F minor
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In bar 19, Chopin did not use the pedal note A category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Accompaniment changes |
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b. 20-28
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composition: Op. 63 No. 2, Mazurka in F minor
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In As Chopin emphasises the end of the four-bar section with an A category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Accompaniment changes |
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b. 21
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composition: Op. 63 No. 2, Mazurka in F minor
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In As, the accompanying voices are not written down, which we interpret as a repetition of the version of the analogous bar 17. However, it is not entirely certain whether it was a signal "as before" or just "like before". For this reason, we discuss independently the accompanying voices not specified in As, and the written out melodic voice. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Accompaniment changes |
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