Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 63 No. 2, Mazurka in F minor
The additional c1 on the 3rd beat is the first of 5 differences that occur in the published version between the main theme of the Mazurka at the beginning and end of the piece (bars 2-15 and 42-55). We do not include here the differences between bars 1 & 41 and 16 & 56, as they result from connections – or lack thereof – with music appearing after (bar 17) or before (bar 40) this theme. The other differences are:
- R.H. rhythm in bar 45,
- the tie to the grace note c1 in bar 49,
- mordent on b1 in bar 50,
- L..H. chord in bar 53.
The text of As is given based on bar 3 – see bar 42.
category imprint: Differences between sources; Corrections & alterations
issues: Accompaniment changes
notation: Pitch
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