Page: 
Source: 
p. 3, b. 69-102
p. 1, b. 1-32
p. 2, b. 33-68
p. 3, b. 69-102
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AI - Earlier autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
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GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
EEC - Later English edition
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AI - Earlier autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
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EEC - Later English edition
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  b. 73-74

Rests & F-f crotchet in AI

3 crotchets including F1-F in FE1 (→GE)

3 octaves including F1-F in FE2 (→EE)

With respect to the version of AI, in the published text the transition to the G minor chord in bar 73 was enriched by a chromatic bass sequence: F-F-G. However, the goal of the Chopinesque correction to FE2 (→EE) remains unclear – on the one hand, combining (with an added stem) the R.H. f quaver with the L.H. F crotchet prolongs the sound of f, which, however, is poorly audible in this register along with the prescribed pedalling, but on the other hand it also suggests that this f should be performed with the L.H., which could be regarded as facilitating the R.H. part.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes, Authentic corrections of FE

notation: Pitch

Missing markers on sources: AI, EEW, EEC, FE1, FE2, FES, GE1, GE2, GE3