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Source: 
p. 2, b. 33-68
p. 1, b. 1-32
p. 2, b. 33-68
p. 3, b. 69-102
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AI - Earlier autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
EEC - Later English edition
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AI - Earlier autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
EEC - Later English edition
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  b. 40-42

12 staccato dots in AI, contextual interpretation

staccato dot in FE (→GE1,EE)

No dots in GE2 (→GE3)

In AI Chopin continues the division into a melodic voice, encompassed with a slur, and accompanying voices, provided with staccato dots over the parts of both hands. It is only in bar 41 that a dot is missing, over the E-e octave, which must have resulted from the lack of space between the L.H. e and the R.H. g. In the content transcription (version 'edited text') we add this mark.
A single dot in FE (→GE1,EE) is probably a mistake by the engraver, added 'due to momentum,' which is confirmed by analogous 50, where there is no dot. Therefore, in the main text we do not include it, as in GE2 (→GE3).
Moreover, in the published version the R.H. chords are written without division into voices, and those on the 3rd beat of the bar are provided with accents.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Errors in FE, GE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: AI, EEW, EEC, FE1, FE2, FES, GE1, GE2, GE3