Page: 
Source: 
p. 3, b. 69-102
p. 1, b. 1-32
p. 2, b. 33-68
p. 3, b. 69-102
Main text
Main text
AI - Earlier autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
EEC - Later English edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AI - Earlier autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
EEC - Later English edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 79

Arpeggio sign in AI

Acciaccatura in FE (→EEW)

Appoggiatura in GE & EEC

Our suggestion

Taking into account the fact that in AI each third bar of the thematic eight-bar section (bars 3, 11, 71 and 79) always includes an arpeggio, while in the editions three out of four of these places, it seems almost certain that its absence here in FE resulted from an oversight. Due to the above, we give it directly in the main text.

The change of the short grace note to a long one in GE and EEC is a manner of the engravers of these editions – see the further note in this bar.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: Errors in FE, Inaccuracies in GE, EE inaccuracies

notation: Ornaments

Missing markers on sources: AI, EEW, EEC, FE1, FE2, FES, GE1, GE2, GE3