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p. 3, b. 69-102
p. 1, b. 1-32
p. 2, b. 33-68
p. 3, b. 69-102
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AI - Earlier autograph
FE - French edition
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AI - Earlier autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
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GE3 - Corrected impression of GE2
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  b. 72

Quaver g in AI

Semiquaver in FE (→EE,GE1GE2)

Semiquaver g in GE3

The g note present in AI and in all analogous bars 4, 12 and 80 and in bars 2, 10, 70 and 78 proves that we are most probably dealing with a Terzverschreibung in FE. The b note featured in this edition does not raise any doubts in terms of harmony – B or b notes are present in chords on the 2nd beat of the bar in the majority of analogous bars – as a result of which they were repeated in almost all subsequent editions. The exception is GE3, in which – most probably on the basis of a comparison with analogous bars – g was introduced, and this is the version we adopt to the main text.
The AI quaver having been replaced by a semiquaver in the published version – see bar 70.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Errors in FE, Terzverschreibung error, GE revisions, Dotted or even rhythm

notation: Pitch

Missing markers on sources: AI, EEW, EEC, FE1, FE2, FES, GE1, GE2, GE3