Page: 
Source: 
p. 1, b. 1-32
p. 1, b. 1-32
p. 2, b. 33-68
p. 3, b. 69-102
Main text
Main text
AI - Earlier autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
EEC - Later English edition
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AI - Earlier autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EEW - First English edition
EEC - Later English edition
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  b. 7-15

In bars 7 and 15 the sources do not contain sharps over the mordents. There are no doubts as to the sound of the top note, while the notation is inaccurate, as usual in such situations in Chopin's works (in bar 7 it concerns only AI and GE3 due to the misplaced  mark in the remaining sources). In the versions 'edited text' and in the main text we add the absent accidentals.
There is a similar situation in bar 75.

Compare the passage in the sources»

category imprint: Interpretations within context

issues: Errors in FE, Accidentals in different octaves, GE revisions, Errors repeated in GE, Errors repeated in EE

notation: Pitch

Missing markers on sources: AI, EEW, EEC, FE1, FE2, FES, GE1, GE2, GE3