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b. 5
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composition: Op. 63 No. 1, Mazurka in B major
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In FE the mordent was placed under the d category imprint: Differences between sources issues: Placement of markings , GE revisions , FE revisions |
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b. 7
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composition: Op. 63 No. 1, Mazurka in B major
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The c
The correct text of GE3 most probably resulted from the fact that a copy of FE2 was used in the revision. category imprint: Differences between sources issues: Errors in FE , GE revisions , FE revisions , Errors repeated in GE |
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b. 7
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composition: Op. 63 No. 1, Mazurka in B major
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In the main text, after a comparison with similar bar 75, we insert a slur after AI. The absence of the slur in FE (→GE,→EE) is probably an oversight, perhaps present already in [A]. category imprint: Differences between sources; Editorial revisions |
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b. 7
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composition: Op. 63 No. 1, Mazurka in B major
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As in bar 5, the category imprint: Differences between sources issues: Placement of markings , GE revisions , FE revisions |
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b. 7-15
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composition: Op. 63 No. 1, Mazurka in B major
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In bars 7 and 15 the sources do not contain sharps over the mordents. There are no doubts as to the sound of the top note, while the notation is inaccurate, as usual in such situations in Chopin's works (in bar 7 it concerns only AI and GE3 due to the misplaced category imprint: Interpretations within context issues: Errors in FE , Accidentals in different octaves , GE revisions , Errors repeated in GE , Errors repeated in EE |